
Following its Tony-nominated hit Broadway run seen by tens of thousands, Tony Award winner John Leguizamoâs one-man play âLatin History for Moronsâ will be presented by Center Theatre Group at the Ahmanson Theatre in Los Angeles from September 5 through October 20, 2019. Opening is set for Sunday, September 8…

âBoisterous, joyful and politically urgent, there couldnât be a better time for âLatin History for Morons.â Keeping an entire theater enraptured through his own musings, impressions, and literal pratfalls, Leguizamo gives us a space to cheer and cry, to laugh and listen.â
â David Canfield, Entertainment Weekly
The WOW Agency brings âLatin History for Moronsâ to Los Angeles as part of a North American tour that premiered at the legendary Apollo Theater in New York and has traveled across the country including engagements in Atlanta, Dallas, Durham, Hartford, Miami, Minneapolis, Philadelphia and San Antonio among others.
âLatin History for Moronsâ is inspired by the near total absence of Latinos from his sonâs American History books. John Leguizamo embarks on an outrageously funny, frenzied search to find a Latin hero for his sonâs school history project.
From a mad recap of the Aztec empire to stories of unknown Latin patriots of the Revolutionary War and beyond, Leguizamo breaks down the 3,000 years between the Mayans and Pitbull into 110 irreverent and uncensored minutes above and beyond his unique style.
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Back to School…
Weâre gonna be honest, Latin History for Morons as taught to us by father turned scholar, John Leguizamo, is probably the funniest and saddest lesson of the colonization of the indigenous people of the Americas anyone could ever study.
Throughout his one-man performance, John Legs opens up books with chapters of our past that most members of our society probably wish they could put back on the shelf.
With Chapter One beginning with the prosperity of the ancient Americas circa 3000 years ago, middle chapters consist of heartfelt reviews of the lust, greed and betrayals which brought each ancient civilization down.
More chapters relate to incomprehensible brutality that left a population of what was once 73 million native peoples inhabiting North and South America to the Southern tip of Chili, devastated to only 3 million. The last chapter putting us to the test, grading us, not only on our knowledge of history but how well we persevere and are able to keep our self respect. The end.
But, itâs more than that. Sharing these words with so much feeling isnât always easy. John Legs uses story telling and impersonation to highlight what happened in the Americas during the European conquest and doesn’t hesitate to poke his pointer at how some of the practices are still being used in our modern day.
Many have faced scrutiny and even death to express these concepts throughout history. Yet, as you sit there on the edge of your seat with no way in tarnation to predict what John Legs will say or do next, youâre reminded with every chapter the level of his artistic mastery. Legs transitions effortlessly between the characters heâs impersonating, with each conversation reverting back to the role of narrating father-scholar.
Dueling accents, dialects and body mannerisms against one another with every statement, John drives you closer and closer into head on collisions with his brilliant punchlines.
Heâs letting us see his genius. Sharing it like an unselfish child would share candy after class.
This is the highest bar of theatrical performance, music, dance, impersonation, cross-dressing and code-switching we may ever see, all taught to us by a true natural and master showman.
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Ben Brantley of The New York Times called âLatin History for Moronsâ a âsurprisingly poignant one-man play that slyly poses sharp and timely questions of what culturally defines American identity and who, in the nationalistic age of Trump, has âthe rightâ to be here.â
Steven Suskin of The Huffington Post concluded, âJohn Leguizamo is back, as smart, provocative, bracing â and wise â as ever. In this dazzling comedic-philosophic evening of laughter, his Latin lesson is a treat.â
âLatin History for Moronsâ concluded its successful run on Broadway on February 25, 2018. The original 16-week engagement was extended an additional three weeks on opening night, November 15, 2017. The production was the first play of the 2017-2018 season to recoup its entire capitalization.
âLatin History for Moronsâ marks theatreâs most prolific modern Latino playwright, John Leguizamoâs sixth one-man venture onto the stage, following success on Broadway with âGhetto Klownâ (Outer Critics Circle Award, Drama Desk Award), âFreakâ (Drama Desk Award), âSexaholixâŠA Love Storyâ (Tony nomination) and Off-Broadway with âMambo Mouthâ (Obie Award) and âSpic-O-Ramaâ (Drama Desk Award). âMambo Mouth,â âSpic-O-Rama,â âFreakâ and âGhetto Klownâ all went on to be filmed for presentation on HBO.
Fresh off the celebrated and financially successful Broadway run of âGhetto Klown,â Leguizamo began his acclaimed work on âLatin History for Morons.â The play had its world premiere at Berkeley Repertory Theatre followed by its New York premiere at The Public Theater. Directed by Tony Taccone (âWishful Drinking,â âBridge & Tunnelâ), the Tony-nominated production of âLatin History for Moronsâ is written and performed by Leguizamo, featuring scenic design by Rachel Hauck, lighting design by Alexander V. Nichols and original music and sound design by Bray Poor. âLatin History for Moronsâ is produced by The WOW Agency, Berkeley Repertory Theatre and The Public Theater.
Tickets are available online at CenterTheatreGroup.org, by calling Audience Services at (213) 972-4400 or in person at the Center Theatre Group Box Office (at the Ahmanson Theatre at The Music Center in Downtown Los Angeles). Tickets range from $35 â $145 (ticket prices are subject to change). The Ahmanson Theatre is located at The Music Center, 135 N. Grand Avenue in Downtown L.A. 90012.
For more information, please visit LatinHistoryOnTour.com
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