Los Angeles has its share of graffiti,some welcomed, some not but to truly understand the relevance of street art and its messages and why we value it as part of our community, you need only to sit down with any of the many talented street artists, like Guangelino, CACHE UNO, who has devoted his life to uplifting humanity and freedom of expression.
Tell us about your first pieces.
My first pieces were in random spots in LA, mostly throw ups and tags. The chickens first came to be in 2002 near the old Belmont tunnel across from the Bob Baker puppet theater. That wall is still running today, but I have redone it 3 times since then.
Where is the best place to see your art?
My art is all thru downtown, 2nd and Hill, Beaudry and 1st, 7th and Santa Fe by Pizzanista, Container Yard, all over Echo Park, Glendale and 2nd, 4th and Mission, Silver Lake, fudge, I canât remember a lot of them, but they are out there. Iâm glad a lot of communities have accepted them as part of the environment (gentrification puts them at risk) but I do a lot of commission work too, to buy paint for âmy other walls.â
Have you done anything for charity?
I have gone to Guatemala and done paint clinics with our friends from GuateGraff to keep kids from joining gangs and get them involved with the arts. I have mentored youngsters on painting technics. I did the Southwestern Brown Symposium: Art & Revolution talks about my artwork, and how it helps brighten communities.
Whatâs Up with the Chickens?
The roosters or chickens were inspired by the writings of Carlos Castaneda. He talked about humans being stuck in âhumanerosâ or human chicken coops, and said that we are the product for the âenergy vampires or âmasters or creatorsâ to Feed on.
WHEN YOUâRE NOT PAINTING, WHATÂ ELSE do you like to do?
I started riding mountain bikes at the age of 17; I breathe mountain bikes. I worked as a bike messenger in DTLA for 11 years and I race endurance mountain bike races. I also work as a bicycle mechanic to maintain my addiction of two wheels. So when I paint bikes, itâs to promote the use of the bicycle as a valid transportation, entertainment and spirit lifter.
Some of the characters CACHE INVOLVES IN HIS WORK ARE BY OTHER artists, like his buddy Atlas who is known for those badass Cats that were in the news a few years back.Â
Whatâs your favorite piece?
My favorite piece at the moment is with my buddy Aise Born from UTI. Itâs a huge wall we finished last month on the Melrose and Heliotrope area.
When and why did you get into graffiti art?
I got into graffiti art in early 90-91. I grew up right next to the world-famous Belmont yard, and all I had to do was walk a few blocks to see the ghetto superstars create masterpieces. I fell in love with it right away. I was born in Guatemala, I migrated to the states at the age of 10, Iâm almost 40 now, and I am 100% Guangelino. I think I got the art and thrill seeking from my father, who was a musician, could draw and raced motocross in Guatemala. R.I.P.
What advice can you offer the next generation of graff artists?
My advice to the next generation is simple: respect those that came before you, donât talk shit about others, they always find out, the streets got ears and mouths, donât try to buy a wall that someone already has, and always do you, never bite, and even if itâs kind of wack, it is better than taking bites.
If you had it your way, what would you change about Downtown Los Angeles?
It would be kind of cool if DTLA could invite more local artists to produce artwork and communicate with the amazing amount of talent the LA graffiti and street art scenes have to offer.
Any Future plans?
Keep the rubber side down, and keep painting. I got a commission wall in RI at the end of August which Iâm pretty excited about. Right now I got 3 walls coming up in the east Hollywood area, and Iâm finishing one this week in the Pico and Normandy area with some old-school graffiti heads.
